Showing posts with label environment. Show all posts
Showing posts with label environment. Show all posts

Friday, July 18, 2008

Boscastle Revisited


Boscastle, after the flood

We're off on holiday tomorrow to sunny Cornwall, where we lived for some years round the turn of the millennium. My eldest daughter is staying behind to hold the fort (she has a good job at the moment and is saving towards university, so quite rightly didn't fancy the idea of two weeks in a crowded tent with her parents and assorted siblings). But the rest of us will be stretching out in the glorious rain ... I mean sun ... for the next couple of weeks.

Meanwhile, here's a Cornish poem from my forthcoming collection, Camper Van Blues. It's never been published before, even in a poetry magazine, so I thought Raw Light could have it before it becomes crystallised in book form.

This poem, 'Rain', is a sister poem to my shorter poem 'Flood at Boscastle', which appeared in Poetry Review a while back.

'Flood at Boscastle' came out of notes I made a few years ago whilst in the Bull Ring in central Birmingham (and reading Robin Robertson's book 'Swithering', interestingly enough). I expanded those initial notes over several months, remembering what it was like to live at Boscastle before the flood, the devastation it had caused compared to the memory of the neat little village that we had in our heads, then pared that material down to create 'Flood at Boscastle', which is available to read on my Salt Publishing page.

It was only in late 2007 that I returned to the discarded notes and began cutting away at them, moving sections, adding new pieces, experimenting with various different forms, and eventually ended up with this much longer poem, 'Rain', presented in couplets. Please note though, since I'm not greatly skilled at HTML and don't have time to fiddle with this, that in the book each second line is indented. Here they both sit snugly against the left-hand margin.

Meanwhile, I hope you all have a great summer, and for my own part, that it doesn't flood again while we're back in Cornwall!

Jx

*

RAIN

I

First, there was a rustle of frogs
unseen in bracken, parched

singing for rain
like all the frogs of the Amazon, for rain

like the beginning of things
over tired roofs and gutterings, for rain

deep and steady
over cliff paths and gorse

where workers once held land
strip upon strip

shining under the deluge, for rain
in the blown-out ford

slung black with, waist-deep in water
from these hills

hard-beat-against, untenable, for rain
falling through bruised light

grey-purple onto fishing nets
like giant spiders’ webs

draped in gleaming strands
across the wet stone quay

her cobbled streets back-lit
with a silver tattoo, with RAIN

the sheer thirst of it
the first of it

a rustle of frogs (unseen in bracken)
parched, singing for rain

like all the frogs of the Amazon.



II

I came there most days in search of sea,
blind with it,

that salt blue slap of the cliff’s edge,
shy gaggle of houses

curved like a woman’s hips
about a sleeping river, her upturned face

beautiful (though wrinkled in summer;
mud ruts in high grass)

and still the rustle of frogs
parched, unseen,

singing for rain
like all the frogs of the Amazon.

I came for the gravestones, stern
under the downpour at Forrabury

already furred black with,
bolted with water

swelling the river
at the hard mouth of the harbour

its wrung neck
and sling-shot exit a jostle

of water against rock, narrowing
and funnelling,

churning
and trammelling up RAIN.

Perched antediluvian,
that’s how I remember it,

grey stone and Cornish slate
from that prehistoric crater at Delabole,

wind turbines
white noise in the dusk

and the sharpish approach to the harbour,
its corniche turns

and wind-sheer drop, gorse bright,
from the cliff edge

where I would come most days
in search of sea

(rocking the child inside, imagining flight,
that first curious step).

Most days I came in search of sea,
the constant boom and suck

of water on rock
like the beginning of things,

like salt, like rain,
like frogs, unseen in bracken,

singing, deep and steady,
thalassa/sea

like all the frogs of the Amazon.



III

And where the stifled river met
the dirty tide

it threw up bones of things, oddments
and fish, and wood adrift,

torn branches still in bud,
salted wet-black spars

and plastic bottles, bags,
arrow-tips of glass

rubbed down to frost
and always the rain

freakish in summer,
the frogs singing

and surging the blind river
down to the sea, down to wild water,

to that filthy driven flood
breaking its banks

and punching through walls,
bouncing campers and cars

and houses aside,
that old dirty tide

alive with rubbish and blossom
white as cottages

and whole trees, blown green to the sea,
a stone bridge cracked

and tossed in the long surge forward
EXCEPT

No hands were lost –
no hands were lost, even as cars bobbed off

sea-drunk into brickwork, crumbling
as cars weaved

battered and jobbed
and the edge of a building broke first

then the rest shot free into the foam
swept loose

by the blank untenanted ark
of a mobile home

and love poured down like rain, unseen,
and the frogs sang on

like all the frogs of the Amazon.

Tuesday, February 26, 2008

Ecopoetics and Beyond: Can Poetry Make Things Happen?


Today on the Guardian website, the editor of Bloodaxe Books Neil Astley has some pertinent and uncompromising remarks to make about the infamous WH Auden quotation that 'poetry makes nothing happen'.

Describing an RTE radio programme last year in which he discussed poetry with leading Irish politician Trevor Sargent, Neil Astley tells us of Sargent's favourable reaction to ecopoems, including one which the former leader of the Green Party in Ireland felt should be required reading in Irish schools.

Astley writes:

"If our own politicians spent just a couple of minutes each day reading these kinds of poems, they might be better fitted to carry out their duties more responsibly. We might even be able to trust some of them then to act in our interest in what they do to tackle the problems of environmental destruction and global warming."

This article appears in the wake of a new anthology of ecopoems edited by Neil Astley, entitled 'Earth Shattering', and in promotion of a London Word Festival debate at the Bishopsgate Institute this Friday evening, when he'll be taking part in a discussion on 'Making Nothing Happen', chaired by Roddy Lumsden, alongside poets Mario Petrucci and Melanie Challenger, and Caspar Henderson.

You can find the full text of that article here and learn more about the London Word Festival here.

Personally I think poetry has every chance of making things happen, if by that we mean sinking it deep into the psyche of a country so that it emerges in other ways and places: in our politics, our relationships, our methods of child-rearing, our attempts to look after the planet, our attitudes towards foreigners and foreign wars.

Poetry can be propaganda - see much of Rupert Brooke's output, for instance - but the more complex it is, the greater its mental, emotional and political ramifications, the less likely it is that poetry will sink to the level of mere jingoism or eco-rap.

As we move out of the nebulous noughties, we may be entering a great age for political poetry. Unfortunately it's unlikely that we'll be certain of that until we're at least halfway through it, and maybe not even then. Which means that those of us who wish to write politically, who feel the need to address issues which extend beyond the home or immediate working environment of our lives - assuming we're not already living in a war-zone, that is, where politics rapidly becomes part of the daily structure of life - must press on regardless of criticism or fashion.

The proof of the poetry may well be in the way of happening, as Neil Astley's article suggests, rather than in any immediate changes brought about by individual poems.

Monday, October 15, 2007

Environmental Action Blog Day: Flood at Boscastle

Last week I signed up to the Blog Action Day campaign, where registered bloggers post something about the environment today, October 15th. Being busy as usual, I didn't feel able to work up some lengthy discussion about how I feel about the environment. But I am able to post up this poem, which came out of an environmental disaster that took place a few years ago, the devastating and wholly unexpected floods at Boscastle, Cornwall.

As a former resident of Boscastle - we moved the summer before the flood - whose teenage daughters both worked in the Spinning Wheel Restaurant, which was absolutely gutted and destroyed by the flood-waters, I was naturally keen to put something down on paper about the disaster. The poem below, 'Flood at Boscastle', is what emerged, and was published last year in the Poetry Society magazine, Poetry Review.

The small town of Boscastle is awash - if you'll pardon the expression - with shops connected to New Age spirituality, divination and witchcraft, possibly because of a long-standing connection between the village and the occult, and not least because of the presence of the world-famous Museum of Witchcraft, situated in the town along the river bank itself. So it seems a little ironic, in the light of these factors, that nobody saw this disaster coming!

My poem does not knock New Age spirituality per se, but it does, I feel, point out that some matters can still be adequately dealt with by using what some might refer to as 'natural magic', also known as common or folk lore, rather than all the expensive and overly-sophisticated paraphernalia associated with the modern craft.


FLOOD AT BOSCASTLE


Ten steps down, through Sargasso weeds
green as the felt walls
of a fish tank, is a door
through which only haruspices may pass, bearded
and with credit cards,
to buy sacred books
and strange instruments for scrying
so they might peer inside
the living heart
and say which house survives,
which doesn’t.

Portal invulnerable, they cry,
to the left-hand of the rising river,
thy charmed walls shall not be blowholes
for the unclenched well of the waters,
no spiraculum mirabile
breathing mud into the underworld.

Later, stripped to the waist, men dig
blackened books
from the whale ribs of a cottage,
then stamp up through mud
to the Cobweb
for a finger or two of whisky,
predicting more rain
on the print of a wetted thumb.


First published in Poetry Review