Horizon Review

I was recently offered and accepted the editorship of Horizon Review, a new online literary magazine coming out of Salt Publishing. The first issue is due to be launched in September and my inbox at Salt is now open for email submissions.

Some of you may know that I edited a poetry magazine called Blade back in the nineties. Needless to say, I'm really excited to be back at the helm of a literary magazine again!

You can visit Horizon Review online to read about my plans for the magazine, look up submissions rules and guidance, and find out more about Salt Publishing. Please note though, if you are thinking of submitting work for the magazine, that all submissions must go through my Horizon email address, which you can find on the Salt website.

From the Horizon Review pages ...

The name of this new magazine, Horizon, was also the name of a groundbreaking literary review edited by Cyril Connolly back in the 1940s. I've always been fascinated by the history of literary reviews, the 'little' magazines; such ephemeral things - yet charged with astonishing intensity and potential to create change ...

Horizon Review publishes poetry, short stories, essays, articles and reviews on contemporary literature and art. The magazine appears twice yearly.

Gerry Cambridge and The Dark Horse

I had an email the other day, one of those round robin jobs, from Gerry Cambridge, editor of an established poetry magazine called The Dark Horse.

I no longer keep tabs on the world of small magazines - except for those few where my work occasionally appears! - but I was very interested to hear from Gerry, as he started up The Dark Horse roughly round the time I launched my own little poetry magazine, Blade (1995 - 1999).

I was aware of his activities before I actually met Gerry in the flesh, so we had something to talk about when that happened - unexpectedly, on an overcast weekday afternoon, both unashamedly browsing our own magazines (first or second issues, I should imagine) in the magazine section of the Poetry Library at the South Bank. I introduced myself to him, always keen to make a contact, and we swopped copies of our magazines. Being fairly unalike as editors in style and taste, we didn't keep in touch or submit to each other's magazines, but I remained aware of The Dark Horse all the time I was editing Blade, and afterwards too ...

Recently, I saw Gerry somewhere online, as I recall, and contacted him by email to catch up on what he'd been up to. I was extremely pleased - and secretly envious - to discover that The Dark Horse was still going strong. My own magazine folded in 1999, while I was at Oxford as a mature student, through a sudden and irrevocable lack of energy and commitment. To this day, I don't feel able to relaunch Blade in any format, even as an occasional online magazine, because the memory of the sheer work involved in running a small magazine is so oppressive to my psyche. Yet I loved Blade dearly and was passionate about every aspect of the magazine whilst editing it for those four incredible years.

So I salute Gerry Cambridge for continuing strong where I folded - a true old-style poetry editor and dark horse; in his own words, describing his magazine, 'passionate about poetry, and a touch contrarian.'

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Here's some background on Gerry from his personal website:

Gerry Cambridge is the founder editor of The Dark Horse magazine, and has considerable interests in print design and typography. He occasionally plays harmonica as part of a duo with the Scottish singer-songwriter Neil Thomson.

He is a Royal Literary Fund Writing Fellow at the University of Edinburgh for 2006-2008, where he is based part-time in the Schools of Biological Sciences and of Physics.


And here's some background on his magazine, The Dark Horse.

The Dark Horse was founded in 1995 by the Scottish poet Gerry Cambridge. It is an international literary magazine committed to British, Irish and American poetry, and is published in Scotland. We like to think that the journal is characterised by a clear-sighted scepticism and an eye for the genuine. We believe that hype, in its presumption of consensus, is demeaning to readers of any individuality. Not that we equate poetry with solemnity. We are, by turns, or sometimes simultaneously, serious, wry, humorous, iconoclastic.

While we are glad to print poetry in metre and rhyme, we remember Randall Jarrell’s “Where poems have hearts, a metronome is beating here.” We believe that we can recognise poems of sound heart. Not being evangelical or overly partisan, we also print compelling free verse. We publish, too, a mix of stylish and engaged essays, reviews, interviews, polemics and appreciations. At times these are groundbreaking: when the late Philip Hobsbaum died in 2005, the main available source of recent information on him, quoted extensively without acknowledgement by broadsheet obituaries, was his interview with The Dark Horse in 2002. Similarly, our interview with the poet-scientist G. F. Dutton is the most extensive of its kind available. We have printed work by many established poets, but are possibly prouder of our discoveries, whether of individual poems or of poets previously unknown to us, and we love to highlight excellent yet neglected or overlooked figures. The contemporary poetry scene has a short memory which has less to do with quality than with fashion. We try to honour literary quality over literary fashion.

The Dark Horse is in the tradition of the finest ‘little’ magazines: engaged, at times contrarian, and with a commitment to excellence as we perceive it.

I hope those interested in contemporary poetry will take a few moments to check out Gerry's website and read about the Dark Horse there. Subscriptions are always welcome!